Hindi Cinema as a Medium of Cultural Communication: Representation of Traditional Practices and Social Transformation in Contemporary India

Authors

  • Asha Sharma School of Journalism & Mass Communication, IMS Noida, India.
  • Lalitank Jain School of Journalism & Mass Communication, IMS Noida, India.

Keywords:

Hindi cinema, cultural communication, traditional communication, cultural identity, social transformation, thematic analysis

Abstract

Hindi cinema has long functioned as more than a source of entertainment, serving as an influential medium through which cultural values, traditions, and social meanings are communicated, negotiated, and reinterpreted. Despite extensive scholarship on Bollywood as a cultural industry, limited qualitative research has examined how young audiences interpret Hindi cinema as a medium of cultural communication that simultaneously preserves traditional communication practices and reflects contemporary social transformation. This study explores how Hindi cinema represents traditional communication practices and cultural heritage, how young audiences construct cultural identity through these representations, and how they perceive the relationship between tradition and modernity in contemporary Indian society.

The study adopted a qualitative exploratory research design using purposive sampling. Semi-structured, in-depth interviews were conducted with twenty university students from diverse academic disciplines in India. The interview data were analysed using Braun and Clarke's thematic analysis, supported by Representation Theory, Semiotic Analysis, and Narrative Analysis to interpret participants' perceptions of cinematic representations and their cultural meanings.

The findings showed four interrelated themes: the representation of traditional communication practices and cultural heritage, audience interpretation of cultural identity, perceptions of social transformation, and the negotiation of tradition and modernity within contemporary cinematic storytelling. Participants viewed Hindi cinema as a dynamic cultural text that preserves traditional practices while simultaneously facilitating reflection on changing social values and identities. Rather than perceiving tradition and modernity as opposing forces, participants recognised cinema as a communicative space where both are continuously negotiated.

The study contributes to media and cultural communication scholarship by positioning Hindi cinema as an active medium of cultural communication that mediates cultural continuity, identity formation, and social transformation. The findings further offer practical insights for filmmakers, media educators, and cultural policymakers seeking to promote cultural heritage while responding to evolving social realities.

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Published

2026-10-01

Issue

Section

Articles